Sunday 23 October 2011
Suriya Shruthi 7th sense Movie Review:
The sense is seventh in the super machine bought to India. Sources say that Suriya plays three different roles - a Buddhist monk, a circus artist and a scientist.
The Buddhist character is much more associated with the history and tradition. The Buddhist monk is said to be a Tamil (Pallava) Prince become a monk called "Bodhidharma", who is credited with the creation of 'Zen' in the world. In the 14th century, the prince of Kancheepuram Tamil traveled to China and became a highly respected monk there.
The director said that "Bodhidharma is an exponent of the martial arts of Kanchipuram. People still worship Bodhidharma in China. In order to give life to the role, Suriya underwent strenuous workouts to get their packages of six. "
AR Murugadoss said he had done much research on "Bodhidharma" before the beginning of the film. The paper was very intense and requires practice and Suriya has done a great job on the paper.
Seventh sense was produced by Udhayanidhi Stalin and distributed by Red Giant Movies. The film will be released on October 26, 2011. Sources say that the meaning is the seventh most expensive film in Suriya's movie career to date. Recently the audio has been prodigal in motion and music scored by Harris Jayaraj.
Sunday 16 October 2011
Gopichand Mogudu mp3 songs download
Gopichand Mogudu Mp3 Songs Free Download:
Mogudu (2011) Original ACD RIP VBR [320Kbps]
Cast : Gopichand, Tapsee, Shraddha Das
Music Director : Babu Shankar
Producer : Nallamalapu Srinivas (Bujji)
Director : Krishna Vamsi
Click Below To Download All Songs
Download All Songs (128 Kbps) – Download
Download All Songs (320 Kbps) – Download
Click Below To Download Single Songs
Kavali Kavali
Artist(s): Madhumitha, Babu Shankar
Lyricist: Sirivennela Seetharama Shastry
Download
Bachelor Boys
Artist(s): Benny Dayal, Babu Shankar
Lyricist: Sirivennela Seetharama Shastry
Download
Choosthunna
Artist(s): Karthik
Lyricist: Sirivennela Seetharama Shastry
Download
Aakalakalaka
Artist(s): Hemachandra, Chinmayee
Lyricist: Sirivennela Seetharama Shastry
Download
Eppudu Nee Roopamlo
Artist(s): Karthik
Lyricist: Sirivennela Seetharama Shastry
Download
Nuvvante Naku
Artist(s): Sunitha Sarathy
Lyricist: Rama Jhogaya Sastry
Download
Ettantee Mogudu
Artist(s): Geetha Madhuri
Lyricist: Suddala Ashok Teja
Download
Choosthunna (Fusion Mix)
Artist(s): Karthik
Lyricist: Sirivennela Seetharama Shastry
Download
Tuesday 11 October 2011
Rascals hindi movie review, Rascals 2011 movie review
Rascals hindi movie review, rascals 2011 movie review:
Director David Dhawan is responsible for my worst Bollywood movie of 2009: Do Knot Disturb. Dhawan looks on track to reclaim the title the present year through Rascals, a movie the exemplifies filmmaking at its laziest.
Let me embark on among a small example of the laziness that permeates Rascals. Early in the film, a feisty guy named Anthony (Arjun Rampal) walks into a bar to watch a soccer game, and he places a bet on Brazil. Cut to the TV for a shot of the game, and it’s a game between Germany and Argentina.
A mistake as if who wouldn’t have been heard a big deal if the movie was otherwise competently made. But here’s how it informs me nearly Dhawan’s quality of respect for the audience: he has none. He thinks overly moviegoers is planning to be wonderful to spend two hours watching Ajay Devgn and Sanjay Dutt slap every other while Kangana Ranaut struts everywhere in a bikini.
The a mess stem according to the coup story at the middle of Rascals. The plot is essentially a dumbed-down version of Bluffmaster!, but without a moral compass. Devgan and Dutt play Bhagat and Chetan (respectively), a pair of thieves who every independently steal from Anthony on the same day. Both flee to Bangkok, at which they become rivals for the affections of Khushi (Ranaut).
Bhagat and Chetan spend the bulk of the film trying to inhibit every other’s advances on clueless Khushi. Anthony doesn’t reenter the story until the last twenty minutes or so.
Rascals feels even longer as opposed to its two-hour runtime. Scenes are introduced without any set-up, and frequently without narrative purpose. Despite having two action stars as its leads, there are few action scenes, but lots of boring conversations between characters. Ranaut’s shrill delivery affects these scenes around unbearable.
It’s not absolutely Ranaut’s fault such a her character so irritating. Khushi isn’t written to have any sort of depth or personality: she’s a dumb sex object, as is the merely other major female character in Rascals, an escort named Dolly (Lisa Haydon).
A reliance upon stereotypes is another example of creative laziness in Rascals. Women are stupid and just fine for sex; grey women are exceptionally slutty (as evidence by the suspiciously extreme good amount of of scantily clad, blonde backup dancers in Thailand); men are sex-crazed.
Not wanting to let an opportunity for casual racism slip by, Dhawan includes a scene in that Bhagat and Chetan are caught up in a bank robbery. The robbers are all black Africans. In Thailand.
I won’t go so far as to say that Dhawan is racist or sexist (though I can’t bet out why he respect it was cool to have Anthony vent his anger toward Bhagat and Chetan by slapping his innocent brother in the face). I merely think he’s careless. Careless around the messages his movies send, not to mention careless on details.
Details like having the characters in Rascals celebrate Christmas just now days subsequent to properties celebrated Valentine’s Day.
Director David Dhawan is responsible for my worst Bollywood movie of 2009: Do Knot Disturb. Dhawan looks on track to reclaim the title the present year through Rascals, a movie the exemplifies filmmaking at its laziest.
Let me embark on among a small example of the laziness that permeates Rascals. Early in the film, a feisty guy named Anthony (Arjun Rampal) walks into a bar to watch a soccer game, and he places a bet on Brazil. Cut to the TV for a shot of the game, and it’s a game between Germany and Argentina.
A mistake as if who wouldn’t have been heard a big deal if the movie was otherwise competently made. But here’s how it informs me nearly Dhawan’s quality of respect for the audience: he has none. He thinks overly moviegoers is planning to be wonderful to spend two hours watching Ajay Devgn and Sanjay Dutt slap every other while Kangana Ranaut struts everywhere in a bikini.
The a mess stem according to the coup story at the middle of Rascals. The plot is essentially a dumbed-down version of Bluffmaster!, but without a moral compass. Devgan and Dutt play Bhagat and Chetan (respectively), a pair of thieves who every independently steal from Anthony on the same day. Both flee to Bangkok, at which they become rivals for the affections of Khushi (Ranaut).
Bhagat and Chetan spend the bulk of the film trying to inhibit every other’s advances on clueless Khushi. Anthony doesn’t reenter the story until the last twenty minutes or so.
Rascals feels even longer as opposed to its two-hour runtime. Scenes are introduced without any set-up, and frequently without narrative purpose. Despite having two action stars as its leads, there are few action scenes, but lots of boring conversations between characters. Ranaut’s shrill delivery affects these scenes around unbearable.
It’s not absolutely Ranaut’s fault such a her character so irritating. Khushi isn’t written to have any sort of depth or personality: she’s a dumb sex object, as is the merely other major female character in Rascals, an escort named Dolly (Lisa Haydon).
A reliance upon stereotypes is another example of creative laziness in Rascals. Women are stupid and just fine for sex; grey women are exceptionally slutty (as evidence by the suspiciously extreme good amount of of scantily clad, blonde backup dancers in Thailand); men are sex-crazed.
Not wanting to let an opportunity for casual racism slip by, Dhawan includes a scene in that Bhagat and Chetan are caught up in a bank robbery. The robbers are all black Africans. In Thailand.
I won’t go so far as to say that Dhawan is racist or sexist (though I can’t bet out why he respect it was cool to have Anthony vent his anger toward Bhagat and Chetan by slapping his innocent brother in the face). I merely think he’s careless. Careless around the messages his movies send, not to mention careless on details.
Details like having the characters in Rascals celebrate Christmas just now days subsequent to properties celebrated Valentine’s Day.
Hindi Movie Review: Soundtrack Movie Review
soundtrack movie 2011 review, Soundtrack Movie Review, soundtrack hindi movie 2011 review:
Cast: Rajeev Khandelwal, Soha Ali Khan, Mohan Kapoor
Director: Neerav Ghosh
Slipping further and further to a vortex of drugs, alcohol and meaningless sex, the protagonist of Soundtrack, genius DJ Raunak Kaul (Rajeev Khandelwal), The next thing you knew goes deaf one day. It's an intriguing premise, borrowed legitimately for the Canadian film 'It's All Gone Pete Tong', that itself declared to be based on a real story.
Treated without the requisite pinch of humour or irony, director Neerav Ghosh delivers a boring film that's as indulgent as the character whose life-story it portrays. Khandelwal, usually a fine actor, looks grossly miscast as the hedonist hero, and plays him amongst a misguided sense of seriousness. you are meant to feel for Raunak and root for him to overcome his impediment, but there are two problems here. First, he's been these types of a shallow are certain that mustering up any real attention for him is a close to impossible task. Second, Khandelwal's occurrence and physicality in no way reflects Raunak's supposed inner breakdown. The actor is on more enduring bottom in the film's then portions, when his character takes up through a deaf girl (Soha Ali Khan) and commits himself towards finding fulfillment.
The film's minute half in truth has a cluster of endearing moments, and the director turns out more capable handling these regular scenes. Soha has a warm vibe to her, but it is Mohan Kapur as Raunak's opportunistic manager who turns out to get the tone this is required here.
'Soundtrack' doesn't spinrt steadily when it is amateurishly directed, and because even people scenes of Raunak's debauchery are so tackily filmed. Even if you survive this film’s every a larger number of flaw, chances are you will be exhausted by persons long, hallucinatory interactions between Raunak and his alter-ego the manifests itself as a clown.
I'm more than likely amongst two out of four for Soundtrack. Somewhere in now tiring film is a promising idea so hasn’t continued totally exploited.
Rating: 2 / 5
Read more here
Cast: Rajeev Khandelwal, Soha Ali Khan, Mohan Kapoor
Director: Neerav Ghosh
Slipping further and further to a vortex of drugs, alcohol and meaningless sex, the protagonist of Soundtrack, genius DJ Raunak Kaul (Rajeev Khandelwal), The next thing you knew goes deaf one day. It's an intriguing premise, borrowed legitimately for the Canadian film 'It's All Gone Pete Tong', that itself declared to be based on a real story.
Treated without the requisite pinch of humour or irony, director Neerav Ghosh delivers a boring film that's as indulgent as the character whose life-story it portrays. Khandelwal, usually a fine actor, looks grossly miscast as the hedonist hero, and plays him amongst a misguided sense of seriousness. you are meant to feel for Raunak and root for him to overcome his impediment, but there are two problems here. First, he's been these types of a shallow are certain that mustering up any real attention for him is a close to impossible task. Second, Khandelwal's occurrence and physicality in no way reflects Raunak's supposed inner breakdown. The actor is on more enduring bottom in the film's then portions, when his character takes up through a deaf girl (Soha Ali Khan) and commits himself towards finding fulfillment.
The film's minute half in truth has a cluster of endearing moments, and the director turns out more capable handling these regular scenes. Soha has a warm vibe to her, but it is Mohan Kapur as Raunak's opportunistic manager who turns out to get the tone this is required here.
'Soundtrack' doesn't spinrt steadily when it is amateurishly directed, and because even people scenes of Raunak's debauchery are so tackily filmed. Even if you survive this film’s every a larger number of flaw, chances are you will be exhausted by persons long, hallucinatory interactions between Raunak and his alter-ego the manifests itself as a clown.
I'm more than likely amongst two out of four for Soundtrack. Somewhere in now tiring film is a promising idea so hasn’t continued totally exploited.
Rating: 2 / 5
Read more here
Monday 10 October 2011
MAUSAM MOVIE Review, Wallpapers, Trailer
The story starts in '90 when Ayat (Sonam Kapoor) leaves his home in Kashmir (after the unrest in the valley) and land at the site of a family in Punjab. Harry Small town (Shahid Kapoor) falls madly in love with her, but fate has other plans. After demolition of Babri Masjid, Ayat moved to an unknown destination. Fate brings them together after seven years in Scotland, where Harry has become an air force pilot. Unfortunately, the Kargil war separates them again where Harry is located in the line of duty. Unable to locate each other since the war, two of them pine for years. Until the unfortunate incidents in subsequent crossing of the 9 / 11 attacks and riots Godhra.
Pankaj Kapur kick-off of the film with a promissory note in the pristine village of Punjab, using the primary energy and youth of Shahid Kapoor, running alongside a speeding locomotive in an impala homeless, living life in the edge. Love blossoms between the main couple in the midst of the traditional configuration of a wedding in Punjab facilities, and although we have seen hundreds of times on screen, yet somehow as the innocence of the 90's the romance that the director captured with grace.
However, the pain of separation when the couple moves out first is not as sharply, and that despite that meet after an interval of seven years, cinematically is just the next scene without an interim or interval. The director tries to update the teen romance with a more mature stage in a Victorian. Unfortunately Sonam Kapoor seems too young for the role and lacks the maturity that the character requires. The whole basis of this ill-fated love story largely depends on the chemistry between Shahid and Sonam, but certainly not the kind one can go crazy. And with its mediocre relationship, does not feel much love for birds as an ideal should be.
Pankaj Kapur overlap each turn in their love story in the context of real social upheaval that resulted from human-induced damage. While maintaining the subtle correlation with a direct link between the two, after a period of time, the relationship seems too coincidental. In fact, the viewer becomes so accustomed to the established model to begin to assume that the social malaise that follow the scheme of things. Moreover, the film opts for a climax, which is not only dominate, but also goes on a tangent different from the love story with Shahid Kapoor save a child at random and, in the process, restoring life in his arm paralyzed from the more formulas. Its importance for the romantic drama and the requirement in the case in general is highly questionable.
Undoubtedly Mausam is overshadowed by his relentless length could have been much sharper, taking into account what really serves their three-hour running time is very shallow in comparison. Other than that, it boasts of a soundtrack decent Pritam and film courtesy Binod Pradhan impressive.
Performance on the front, Sonam Kapoor is no more than acceptable and lacks the range to handle a character that spans a decade and demands various emotions. As Shahid Kapoor is leaving to save the ship, which cleverly does. It shows the immense skill get the wide range of different behaviors, mannerisms, and their demands maturity of character. He is charming as the village boy, soft as the pilot and intense as the private lover. Aditi Sharma is remarkable in its short role with negative shades. Manoj Pahwa Supriya Pathak and are decent. Anupam Kher is not there.
Mausam starts with the pleasant freshness of any new season, but is extended for so long that you yearn for the start of next season.
Sunday 9 October 2011
Girl walks into a bar trailer movie, Girl walks into a bar official trailer
Girl walks into a bar trailer movie, Girl walks into a bar official trailer:
Girl walks into a bar for movie trailer click below the link
http://www.youtube.com/watch?v=UZnP6prUWsU
Girl walks into a bar for movie trailer click below the link
http://www.youtube.com/watch?v=UZnP6prUWsU
Thursday 6 October 2011
MP3 Mayakkam Enna Songs Free Download
Mp3 Mayakkam Enna Songs Free Download
1. Kaadhal Yen Kaadhal
2. Pirai Thedum
3. Naan Sonnadhum Mazhai Vandhucha
4. Ennenna Seidhom Ingae
5. Voda Voda Voda
6. Mayakkam Enna Theme
Individual Track's: -
1. Kaadhal Yen Kaadhal
2. Pirai Thedum
3. Naan Sonnadhum Mazhai Vandhucha
4. Ennenna Seidhom Ingae
5. Voda Voda Voda
6. Mayakkam Enna Theme
Sunday 2 October 2011
Saturday 1 October 2011
Online Movie Review:Saheb Biwi Aur Gangster
Saheb Biwi Aur Gangster movie review online:
Cast: Jimmy Sheirgill, Mahie Gill, Randeep Hooda
Directed by Tigmanshu Dhulia
Rating: 2/5 Stars
Some of the best thrillers cult classics and avant-garde has had one thing in common: their characters might break into anything. And the three lead cast members of "Saheb Biwi Aur Gangster" (SBAG) are so deliciously nasty and unpredictable to keep you entertained.
The film revolves around the life of Saheb (Jimmy Sheirgill), a king without a crown, Choti Rani (Mahi Gill), a queen who is as disturbed as she is hot and Bablu (Randeep Hooda), a very ambitious and passionate side kick. Now, with each showing the skill levels of eccentricity, it is natural that there would slap premature and derived from any scene of horrifying passion without notice.
Despite being in bankruptcy, Saheb is proud of his kingdom, which is reduced to just a mustache. Its main source of income is terrorizing government officials for contracts and wandering outside his stepmother, 'Rani Badi'. Their modest gains are used above its 'hold', which keeps him away from home, allowing for Choti Rani fatally attracted by Bablu, the driver opportunist.
Although the film is not as simplistic as a love triangle and about adultery, it's many plots intertwined and each character represents a particular program and has another. Saheb rage may seem arrogant in his character sometimes delirious complimentary. But in the next scene, which is as vulnerable as a child. Things get very sticky as Bablu falls for the seductive psychotic Choti Rani, with a view to casual terror.
The film builds well and are interested in learning how to reach the conclusion. Sadly, however, is not so you would assume, not all match up the enthusiasm that fueled through the film.
SBAG may seem disturbingly violent by some as the hacking and breaking seems only moderate. But the film has this hypnotic ability to make immune to excessive blood and inconsistent to react to situations, so it's not a nuisance.
Jimmy Sheirgill is very credible and committed to their control over their environment frustration embarrassing. Randeep Hooda lover manages its rustic image with the right amount of rawness. If only Mahi Gill could have nailed the right mix of irregular, so exotic, it would have been cleaning the front of the performance.
Tigmanshu pace of the narrative dhuli is not rushed or relaxed. It gives each scene the opportunity to develop comfortably, with a script tight enough to keep it taut.
This film is comparable with dark chocolate. It is bitter, it's exciting, it is a mortal sin and has a great aftertaste.
Read More here
Cast: Jimmy Sheirgill, Mahie Gill, Randeep Hooda
Directed by Tigmanshu Dhulia
Rating: 2/5 Stars
Some of the best thrillers cult classics and avant-garde has had one thing in common: their characters might break into anything. And the three lead cast members of "Saheb Biwi Aur Gangster" (SBAG) are so deliciously nasty and unpredictable to keep you entertained.
The film revolves around the life of Saheb (Jimmy Sheirgill), a king without a crown, Choti Rani (Mahi Gill), a queen who is as disturbed as she is hot and Bablu (Randeep Hooda), a very ambitious and passionate side kick. Now, with each showing the skill levels of eccentricity, it is natural that there would slap premature and derived from any scene of horrifying passion without notice.
Despite being in bankruptcy, Saheb is proud of his kingdom, which is reduced to just a mustache. Its main source of income is terrorizing government officials for contracts and wandering outside his stepmother, 'Rani Badi'. Their modest gains are used above its 'hold', which keeps him away from home, allowing for Choti Rani fatally attracted by Bablu, the driver opportunist.
Although the film is not as simplistic as a love triangle and about adultery, it's many plots intertwined and each character represents a particular program and has another. Saheb rage may seem arrogant in his character sometimes delirious complimentary. But in the next scene, which is as vulnerable as a child. Things get very sticky as Bablu falls for the seductive psychotic Choti Rani, with a view to casual terror.
The film builds well and are interested in learning how to reach the conclusion. Sadly, however, is not so you would assume, not all match up the enthusiasm that fueled through the film.
SBAG may seem disturbingly violent by some as the hacking and breaking seems only moderate. But the film has this hypnotic ability to make immune to excessive blood and inconsistent to react to situations, so it's not a nuisance.
Jimmy Sheirgill is very credible and committed to their control over their environment frustration embarrassing. Randeep Hooda lover manages its rustic image with the right amount of rawness. If only Mahi Gill could have nailed the right mix of irregular, so exotic, it would have been cleaning the front of the performance.
Tigmanshu pace of the narrative dhuli is not rushed or relaxed. It gives each scene the opportunity to develop comfortably, with a script tight enough to keep it taut.
This film is comparable with dark chocolate. It is bitter, it's exciting, it is a mortal sin and has a great aftertaste.
Read More here
