Suriya Shruthi 7th sense Movie Review:

Ace director AR Murugadoss about his new sci-fi sense of the bill '7 'after his hit movie "Ghajini". Shruthi Haasan Suriya and are in the lead roles. The seventh sense is the dubbed version of Tamil film '7 Aum Arivu 'which is launching simultaneously in Tamil and Telugu.

The sense is seventh in the super machine bought to India. Sources say that Suriya plays three different roles - a Buddhist monk, a circus artist and a scientist.

The Buddhist character is much more associated with the history and tradition. The Buddhist monk is said to be a Tamil (Pallava) Prince become a monk called "Bodhidharma", who is credited with the creation of 'Zen' in the world. In the 14th century, the prince of Kancheepuram Tamil traveled to China and became a highly respected monk there.

The director said that "Bodhidharma is an exponent of the martial arts of Kanchipuram. People still worship Bodhidharma in China. In order to give life to the role, Suriya underwent strenuous workouts to get their packages of six. "

AR Murugadoss said he had done much research on "Bodhidharma" before the beginning of the film. The paper was very intense and requires practice and Suriya has done a great job on the paper.

Seventh sense was produced by Udhayanidhi Stalin and distributed by Red Giant Movies. The film will be released on October 26, 2011. Sources say that the meaning is the seventh most expensive film in Suriya's movie career to date. Recently the audio has been prodigal in motion and music scored by Harris Jayaraj.

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Dookudu telugu movie review, Mahesh Babu Dookudu telugu movie rating

 Dookudu Telugu Cinema Review, Dookudu telugu movie review, Mahesh Babu Dookudu telugu movie rating:

Movie: Dookudu
My Rating: 3.75/5
Banner: 14 Reels Entertainment
Cinematographer: MV Guhan / Prasad Murella
Music: S Thaman
Producers: Ram Achanta, Gopichand Achanta and Anil Sunkara
Editing: MR Varma
Dialogues: Kona Venkat
Story: Gopi Mohan
Story,Screenplay & Direction: Seenu Vytla
Cast: Mahesh Babu, Samantha, Parvati Melton (SA), Sonu Sood, Kota, Sayaji Shinde, Vennela Kishore, Shravan, Ravi Prakash, Ajay, Suman, Nassar, Chandra Mohan, Supreet, Tanikella Bharani, Sudha, Pragati, Sonia etc
Release Date: 23rd Sept 2011

Review

Story

Shankar Narayan (Prakash Raj) is a political leader and a man of masses. He wants his son Ajay (Mahesh Babu) to become a political leader. Shankar Narayan is hurt in an accident and goes into coma. Meanwhile Ajay grows up and goes onto become an aggressive cop. And suddenly Shankar Narayan comes out of coma. The rest of the story is all about how Ajay manages to keep the changes under wrap for his father, and takes revenge on the villains at the same time with some unconventional ploys.

Artists Performance:

Mahesh Babu: Mahesh Babu proved himself again that he is a director’s actor. He has a big heart to allow Brahmanandam to take center stage for a few minutes, though it is Mahesh who creates such situations. One should have a flair to time the comedy of Seenu Vytla and Mahesh does it effortlessly. Mahesh is one of the comedians when he is with Brahmanandam and MS Narayana. Mahesh Babu has also excelled in dialogue delivery by mixing Telangana accent in villain confrontation scenes. Mahesh Babu’s trade mark teasing romance works big time in Turkey episodes. You see Mahesh being cheerful and smiling in most of the parts of the film.

Samantha has a limited role in this movie and she does justice. Brahmanandam has a dialogue in the film - nannu vaadukondi saar. Seenu Vytla is one of very few directors who utilizes the talent of Brahmanandam to the maximum extent. All those Brahmanandam lovers will have another feast in this movie in which he acts an actor of a fictitious reality show. The way Brahmanandam keeps expressions for ‘bheebhatsamaina humanity’ dialogue and the scene in which he appeals to Nagarjuna Akkineni using his camera pen is priceless. MS Narayana who has excelled as fire star in Dubai Seenu does another similar role in which he wants to make his debut as hero opposite Genelia. Prakash Raj is seen in a positive role (inspired by PJR) and he is excellent. Vennela Kishore does the role of Sastry whose grandmother is a fortuneteller. Nassar has done a comic role for a difference..

Technical Departments:

The basic concept of a person going into coma and that person’s son creating artificial atmosphere around is inspired by a German film titled ‘Goodbye Lenin! (2003) ’. That German film is a serious film and somewhat boring (for me). The story writer Gopi Mohan used that plot and moulded it to make an entertaining script. Seenu Vytla’s main strength has always been entertainment and he made sure that there are ample characters to create humor. He used Brahmanandam and MS Narayanara effectively to create ample humor. Characterization of Mahesh Babu is done well and the director has also shown Mahesh Babu in new light with better comedy timing. Though the entertainment and action orientation is good, there are ups and downs in the narrative graph due to runtime and number of characters. Screenplay of the film is good. The screenplay techniques used on Prakash Raj taking revenge without knowing about it and Brahmanandam’s crazy realty show will surely generate more commercial appreciation. Among all the characters, I feel that the character of Suman is not properly etched. It would have been more powerful if hero is introduced through the words of some other character, not through Suman’s. And the death of Suman is also not justifiable. The following aspects of Seenu Vytla’s trademark

1. Mahesh Babu: heroine teasing in Istanbul n Making Brahmanandam and MS Narayana Bakras.
2. Brahmanandam: SMS voting appeal and appeal to Nagarjuna Akkineni
3. MS Narayana: Showreel (Yamadonga, magadheera, Robo and Simha) and nalukapaina macha episode. Incidentally the same MS Narayana did a photoshoot comedy episode in Seenu Vytla’s Sontham in the past.


Dialogues penned by Kona Venkat and Seenu Vytla are good. They are humor dialogues and masala heroism dialogues. Music by Thaman has already become a chartbuster and background music is nice. Cinematography by KV Guhan and Prasad Murella complements to story. Editing by Varma is adequate. The producers trio (Ram Achanta, Gopichand Achanta and Anil Sunkara) have spent a lot of money and the entire film is shot in extravagant style.

Highlights:

Mahesh Babu’s performance
Brahmi, M S Narayana comedy
First half
Last 40mins
Parvathi Melton’s item song
Vaitla Comedy timing
Story

Drawbacks:

Villain Characterizations
MLA get up Mahesh Babu got wasted

Final Analysis:

First half of the movie sets the plot up and it is entertaining. There are ups and downs in the second half, but the entertainment provided by Mahesh Babu, Brahmanandam and MS Narayana takes care of it. The plus points are Mahesh Babu’s charm, Seenu Vytla’s comedy timing and a workable script. On the flip side, there is a bit of redundancy in villain characterizations. Mahesh Babu delivers an universally acceptable entertainer in the form of Dookudu after a gap of five years. Go and watch it.

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Naa peru shiva movie review, Telugu movie naa peru shiva review:naa peru shiva karthi kajol 2011

While there is nothing extraordinary in this film, which seems to be a sure-shot winner at the box office for several reasons. Naan Mahan Alla dubbed in Telugu Naa Peru Shiva is a vague title that does not mean anything. Portrait of the director of romance is not new at all, it Karthik reminiscent of old romantic episodes, but what makes it interesting is the treatment. He does not give more importance to the top is kept at a minimum, first attracts the viewer's interest in the conflict in the story instead of the novel.

Karthi As always brings in his special touch of adding a natural feel to the film bent, using your voice. Little things go a long way to bring the difference to the story. The film, as usual on the track from the dark side of Chennai, by showing a group of young people fall into drugs, rape and the most inhuman murder. The next scene cuts to a happy, carefree kind of life led by Shiva (Karthi) family, your home is also a cliché, but the lack of sentimental and melodramatic scenes to show the line between the members that make it easy and see the light. To show the nature is nice director Karthi brings a lot of smiling faces of children .. it's a bit too repetitive.

The director takes an intelligent decision on liquidation of the songs before the escalating pace of real conflicts, not help bend in the viewer's interest. The composition of the fights too innovative aesthetics, also tend to feel sympathy for a gangster who helps the hero in their struggle. The film is about a young man who is compulsively taken to arms to avenge the murder of his father, but the principal focus just like a man who can not tolerate injustice, what is gratifying is the last scene where Karthi even her sister's wedding is on, take a gun to do justice to a woman wrong side road.

A simple story of a young middle-class unemployment, he has a girlfriend fall in a position to take on violence. Nothing out of the box, but what is attracting crowds is the easy way with which the director has dealt with the story. Kajal Eye Candy is simple, it looks better, as long as not to extend his eyes. Karthi fits easily on paper and follow the instructions of the director of the T. The shortage of films in the Telugu film market, so I could see Shiva Naa Peru rake in moolah for the producer. Not a bad watch.

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Dhada telugu movie review, Dhada movie talk, Dhada movie rating

Movie: Dhad
My Rating: 1.75 / 5
Banner: Sri Kamakshi Enterprise
Director of photography: Gnana Sekhar
Music: Devi Sri Prasad
Producer: Reddy D SIVAPRASAD
Edition: Dharmendra Kakarala
Story, Screenplay and Direction: Ajay Bhuyan
Cast: Naga Chaitanya, Kajal Agarwal, Ram Lanka, Sameeksha, Rahul Dev, Kelly, Brahmanandam, Mukesh Rishi, Ali, Venu Madhav etc
Release Date: August 11, 2011

Review

Story

Located in the U.S. context, Vishwas (Naga Chaitanya) is a brave fellow, just out of college. He has an older brother Rajeev (Sri Ram) and sister-in-law Preethi (Sameeksha).

Vishwas life takes a turn when Priya sometimes (Kajal) and it is love at first sight for him. Meanwhile, two professors (Rahul Dev, Kelly Dorjee) implement international prostitution networks and continue to sell the girls. Vishwas is a chance incident entangled with the bad guys.

Thereafter, they are out to kill him. On the other hand, marriage Priya was installed with another person. How Vishwas handle both problems? Is it accurate? What has Rajeev is related incidents? All this forms the rest of the story.

Performance artists:

Naga Chaitanya looked classy in some scenes. But then, I should have thought twice before choosing a story like this. Roughness required for this role is not out of it. He might be training for the modulation.

Kajal Agarwal was not up to the mark. Basically, it was his style, look weak and engraving of his character which makes it look very stale. Although he tried to breathe life into the character, it was useless.

Sriram is a talented artist. He is handsome, looks elegant and expressive with their emotions in appropriate proportions. But his character is confusing. His chemistry with Sameeksha is nice and both look good on screen.

Rahul Dev was fair. Despite the histrionics were not extreme, makes its presence felt.

Kelly Dorjee had the helicopter scene-one routine, a murder, a fight. He did his part mechanically.

Comedy Brahmanandam was dumb. Ali was not necessary. Sameeksha has yet to seduction, you can get more opportunities. Mukesh Rishi was not at all used properly. Satya Krishna was standard. Tanikella was brief. Venu Madhav, MS Narayana, Uttej came and went.

Highlights:

* Two of the songs
* Photography
* The production and technical values

Disappointments:

* Botched by script
* History empty
* Zero emotional quotient
* Dialogues thornless
* Director of the inability to use the glamor of Kajal

Final analysis:
Rahul Dev goes on in the movie 'Neekoka Cheptaanu Kadhe .. ". Thus, it comes with 3-4 records meaningless. That's exactly the feeling you get when you see the movie too.

Director Ajay must realize that the style alone does not work, you must have substance to give the actual result at the box office. You should also do some studio work, while creating characters.

Sending a gift bigger brother to the streets to find someone is stupid. Racket international girls runs highly organized structures. If Ajay is looking for a Hollywood feel then you should give depth to the characterization as well.

In this film, everything looks bad hole in the film. No conviction of any of the scenes and looks like torn jeans trousers, with dozens of patches on it. If not for the presentation, the film would have been unbearable to watch.

At the box office, the film will have decent openings due to the pre-launch publicity, star power and songs, but the chances of success are remote.

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Kandireega Telugu Movie Review: Review telugu movie kandireega

Story

Sreenu (RAM) is a happy go lucky type who comes to the city of Anakapalli to complete his studies and joins a university. Shruti (Hansika) studies at the university and Sreenu falls in love at first sight. But Shruti (Sonu Sood) Bhavani love interest who is a bully and wants to marry her against her will. Shruti depressed with all this, waiting for someone to save from Bhavani. In this sense Sreenu enters the scene and a confrontation with Bhavani earns the love of the Shruti. By doing this unknowingly falls Sreenu biggest problem is called Rajanna (Jaya Prakash Reddy). Rajanna daughter Sandhya (Aksha) Sreenu falls in love at first sight and asks her father to marry Sreenu. The story moves there in Warangal. How Sreenu solve these problems with its brilliant scheme rest of the story.

Actions

True to 'Star energy "of his label, Ram has done a great job. It has delivered a performance full of energy and took off the entire first half on their own. It has been emphasized in the department of nearly all the dances, fights, comedy and romance.

Hansika looked glamorous and has done his part well. However, it is time for the actress to work on his physique and shed for a few kilos.

Aksha emerges as a box of surprises and has given an incredible performance. Telangana His accent was perfect in the film makes is divided into laughter. Aksha in Kandireega performance can seize their few roles more.

Sonu Sood is the climax of the film. It is a revelation and a visual feast for him as a comic villain. Thumbs up to the actors!

Jayaprakash Reddy, Srinivas Reddy, Brahmaji, Raghu Babu are perfect for their roles. Brahmanandam is decent and the others were adequate.

Technical Analysis

Music by Ram Thaman is nice and has excelled in dancing and would delight the masses. The cinematography is first class and Champakamala song is notable for its exotic locations. Dialogs are welcome. Kotagiri Venkateswara Rao edited by okay, but there could be trimmed as the length of execution time is longer. The production values ​​are standard. The first-time director Santhosh Srinivas has arrived with a tight script and narration. He made his debut into account and showed he is here to stay in Tollywood.

Points

Ram, Aksha, Sonu Sood performances
Cinematography
Screenplay and narration hilarious democracy
Dialogues
Points less
History predictable
The similarity with Maska Ready, and other films

Analysis
Kandireega is a formula film with all commercial ingredients to attract all sections of the audience. However, the film is predictable in the note that reminds you of films Ready, Maska and other artists, has its own elements Kandireega commit to a good script of the director.

The first half of the film is predictable, but it was entertaining with good humor Ram, Sonu Sood and other characterizations. The second half is a complete laughing riot scenes comedy Sonu Sood, Aksha and other comedians. Kandireega has a history of routine, however, is molded with fine characterizations, dialogue and the script of democracy. Kandireega would enjoy as long as do not try to strain your brain to understand the logic behind the scenes.

Final Verdict

An artist commercial formula for all areas of life!

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