The story starts in '90 when Ayat (Sonam Kapoor) leaves his home in Kashmir (after the unrest in the valley) and land at the site of a family in Punjab. Harry Small town (Shahid Kapoor) falls madly in love with her, but fate has other plans. After demolition of Babri Masjid, Ayat moved to an unknown destination. Fate brings them together after seven years in Scotland, where Harry has become an air force pilot. Unfortunately, the Kargil war separates them again where Harry is located in the line of duty. Unable to locate each other since the war, two of them pine for years. Until the unfortunate incidents in subsequent crossing of the 9 / 11 attacks and riots Godhra.
Pankaj Kapur kick-off of the film with a promissory note in the pristine village of Punjab, using the primary energy and youth of Shahid Kapoor, running alongside a speeding locomotive in an impala homeless, living life in the edge. Love blossoms between the main couple in the midst of the traditional configuration of a wedding in Punjab facilities, and although we have seen hundreds of times on screen, yet somehow as the innocence of the 90's the romance that the director captured with grace.
However, the pain of separation when the couple moves out first is not as sharply, and that despite that meet after an interval of seven years, cinematically is just the next scene without an interim or interval. The director tries to update the teen romance with a more mature stage in a Victorian. Unfortunately Sonam Kapoor seems too young for the role and lacks the maturity that the character requires. The whole basis of this ill-fated love story largely depends on the chemistry between Shahid and Sonam, but certainly not the kind one can go crazy. And with its mediocre relationship, does not feel much love for birds as an ideal should be.
Pankaj Kapur overlap each turn in their love story in the context of real social upheaval that resulted from human-induced damage. While maintaining the subtle correlation with a direct link between the two, after a period of time, the relationship seems too coincidental. In fact, the viewer becomes so accustomed to the established model to begin to assume that the social malaise that follow the scheme of things. Moreover, the film opts for a climax, which is not only dominate, but also goes on a tangent different from the love story with Shahid Kapoor save a child at random and, in the process, restoring life in his arm paralyzed from the more formulas. Its importance for the romantic drama and the requirement in the case in general is highly questionable.
Undoubtedly Mausam is overshadowed by his relentless length could have been much sharper, taking into account what really serves their three-hour running time is very shallow in comparison. Other than that, it boasts of a soundtrack decent Pritam and film courtesy Binod Pradhan impressive.
Performance on the front, Sonam Kapoor is no more than acceptable and lacks the range to handle a character that spans a decade and demands various emotions. As Shahid Kapoor is leaving to save the ship, which cleverly does. It shows the immense skill get the wide range of different behaviors, mannerisms, and their demands maturity of character. He is charming as the village boy, soft as the pilot and intense as the private lover. Aditi Sharma is remarkable in its short role with negative shades. Manoj Pahwa Supriya Pathak and are decent. Anupam Kher is not there.
Mausam starts with the pleasant freshness of any new season, but is extended for so long that you yearn for the start of next season.
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