Cast: Kay Kay Menon, Piyush Mishra, Deepti Naval, Prashant Narayan, Gautam Sharma, Shilpa Shukla, Pawan Malhotra, Pratap Singh VEDIT Directed by Ankush Bhatt
Note: Taare Zameen Par
When I make a gangster movie, including Muslim and Hindu extremists. Hindus and Muslims are marching saffron blurred eyes makeup. There will be riots and a transsexual prostitute, a corrupt cop that changes in both directions (between the two rival gangs), etc. This was probably the director Ankush Bhatt vision before Bhindi Bazaar planned Inc.
Well, for this film to break a line: This is a game of chess where every move is vaguely metaphorical and, therefore, interspersed with a nonsensical story of the life of our two dogs are the slums, Darzi (Gautam Sharma) and Fatah (Prashant Narayan). These two are the children when they moved into the world of pickpockets and kite flying (yes, the two are so connected!).
After collecting about 550 leaves that grow up to become murderers capable of Mamu (Pawan Malhotra), a local ganglord. Mamu is a mother - Bano (Deepti Naval), many of the nameless henchmen and a lover, Shabana (VEDIT Pratap Singh), which receives only about 14 men in this film and some in the audience. Mamu also has an arch-enemy, a Hindu extremist, Pandey (Piyush Mishra) who had fingers cut himself in a flashback sepia Mamu not. Needless to say, Pandey and his friends made several attempts to avenge this and Mamu men, do not let the action choreographer of repetition in the game either.
If you care, the game of chess is played between Shroff (Kay Kay Menon) and Darzi. The first responds to every move made by the latter with the elevation of the eyebrows and an expression Bedazzled. The conversation between the two is so deep like an idiot with dialogue like "Zindagi mein nahin chalta leg, kale Mohre Kauns hain, aur Kauns Safed." And not even take in this scene!
The film antics of a headless chicken, with predictable internal conspiracies that can be transmitted in this short dialogue, "Ek toh doosra Mamu mara bana. We also have a list of cast members, who are often forgotten or not properly informed about the location shooting. walk on and off the stage without a purpose. Kajri (Shilpa Shukla) takes this package, the appearance of a mare with a nose ring, hanging out with the family of Mamu, with the hope of a love angle and dialogue (and perhaps a Chak "De! sequel?). Then there is a love interest Darzi, Silvia (Shweta Varma), which manages 95% of her scenes in a public bus, which limits their potential relationship with the chatter. But the prize is strange and Jackie Shroff will, which plays a narcotics officer. His shots seem to have been taken by a hidden camera, as aimlessly lurking in the frame, muttering lines that can not be interpreted and changes of their own fans for a quick exit.
Quality of film production in general is comparable to the regional reality television and the background score for dialogue is the only weak. What is more troubling is that veteran actors Deepti Naval seem lost even when Pawan Malhotra talent Kay Kay Menon reliable and can not save the Titanic.
Making films that explore the dirt and grime of our beloved metropolis, Mumbai is no longer a safe bet. No, if they are full of cliches, and dialogue reminiscent of the back of trucks like this.
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